Jamison, Judith

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Dancer and choreographer Judith Jamison was born on May 10, 1943 in Philadelphia, Pennsylvania to Tessie Brown Jamison and John Jamison, Sr. While encouraged by her parents to study the piano and violin, Jamison gravitated towards ballet. At the age of six, Jamison began taking lessons at the Judimar School of Dance in Philadelphia. She went on to study the techniques of African American dance pioneer Katherine Dunham. Jamison graduated from Germantown High School in Philadelphia, and enrolled at Fisk University in Nashville, Tennessee. However, she left Fisk to study dance and kinesiology at the Philadelphia Dance Academy, now part of New York City's University of the Arts.

In 1964, Jamison earned critical acclaim for her work with choreographer Agnes de Mille and the American Ballet Theatre in New York. A year later, Alvin Ailey invited Jamison to join the Alvin Ailey American Dance Theater, where she was featured in numerous productions, toured with the company to Africa and Europe and earned international acclaim for her signature performance ofCry, a fifteen minute solo piece written by Ailey for Jamison. Jamison went on to appear as a guest performer with the San Francisco Ballet, the Swedish Royal Ballet, the Cullberg Ballet, and the Vienna State Ballet. In 1980, Jamison performed on Broadway in Duke Ellington'sSophisticated Ladieswith Gregory Hines. That same year, Jamison began her own work as a choreographer. She premiered her first ballet,Divining, with the Alvin Ailey American Dance Theater in 1984. In 1988, Jamison founded The Jamison Project Dance Company.

Jamison returned to the Alvin Ailey American Dance Theater in 1989, assuming the role of artistic director following the death of founder Alvin Ailey. In 1993, Jamison choreographedHymn, a tribute to Ailey, and published her autobiography,Dancing Spirit. Under her leadership, the Alvin Ailey American Dance Theater joined forces with Fordham University to establish a joint bachelor of fine arts program with a multicultural dance curriculum. Jamison also spearheaded the construction of the company's first permanent home, the Joan Weill Center for Dance. Although Jamison stepped down as artistic director in 2011, she remained associated with the Alvin Ailey American Dance Theater as artistic director emerita.

Judith Jamison was interviewed byThe HistoryMakerson August 30, 2016.

From The HistoryMakers™ biography: https://www.thehistorymakers.org/biography/A2016.014

Archival Resources
Role Title Holding Repository
referencedIn Ambrose DuBek dance photograph collection, 1952-1963 and undated. Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University
referencedIn George Balanchine archive, 1924-1989 (inclusive), 1961-1983 (bulk). Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University
referencedIn Duke Ellington recordings collection Eda Kuhn Loeb Music Library, Harvard College Library
referencedIn Stravinsky-Diaghilev Foundation research files, 1920-1989. Harvard Theater Collection, Houghton Library, Harvard College Library, Harvard University
referencedIn American Ballet Theatre records, 1936-ca. 1967 The New York Public Library. Jerome Robbins Dance Division.
referencedIn Walter Terry papers, 1913-1982 The New York Public Library. Jerome Robbins Dance Division.
Role Title Holding Repository
creatorOf The HistoryMakers Video Oral History with Judith Jamison The HistoryMakers
Relation Name
associatedWith American Ballet Theatre corporateBody
associatedWith Balanchine, George. person
associatedWith Dodge, Joseph Jeffers person
associatedWith DuBek, Ambrose. person
associatedWith Stravinsky-Diaghilev Foundation. corporateBody
associatedWith Terry, Walter person
Place Name Admin Code Country
Philadelphia (Pa.)
New York (N.Y.)
Subject
Occupation
Choreographer
Dancer
Activity

Person

Birth 1944-05-10

Birth 19430510

Americans

English

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